Women’s guilt
|Exploring a dialogue with European art history—our cultural heritage—, reflecting about cultural patterns.
Read MoreI have always been fascinated by fairytales and myths, oral storytellers and by religious and folk imaginaries and drama. I love their richness of detail, symbols, and their apparently light quality in conveying the human condition and psyche in its essential aspects.
I pursue this sort of narrative and form- that of integrity and genuine resonance.
In my childhood, I was absorbed in fairytales and legends, and the overwhelming esthetic universe of a novel, byzantine, southern Italian baroque world: mosaics, stern saints, pierced hearts, angels and demons, flowers, pomegranates, sirens, winged horses and opulent gilded churches.
This universe come backs to me as a reminiscence and a play in my works. Being able to get involved, make them come alive again- perhaps in a pop form- or to turn these elements upside down is a privilege and a gift.
Furthermore, I believe that exploring and processing elements of culture history and art history is a key to understanding and critically approaching contemporary life.
Exploring a dialogue with European art history—our cultural heritage—, reflecting about cultural patterns.
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